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We’ve written about 360 deals before.  The much rumored deal between Jay-Z (aka Shawn Carter) and Live Nation is expected to finalize this week along those lines. 

The NY Times reported that the deal is valued at $150 million.  The short of it is that Jay-Z gets what amounts to an investor in Live Nation for future ventures that he creates.  These would include record distribution, merchandising, concert ticket sales and merchandising.  Live Nation will annually fund Jay-Z’s umbrella company (that will partake in the venture) and share in the profits thereof.

The deal reflects the kinds of 360 deals that we’ve talked about, where more and more mergers and acquisitions will happen along the vertical: record labels, distribution, artist management, merchandising, advertisers, promoters, etc. 

The inevitable ‘why’ comes to mind.  Because CD sales are down, more music is becoming free or low cost, but demand appears to remain strong. 

So the best business models will seek to diversify and capture different streams of revenue, presuming that core demand is still there. 

 What’s more interesting is that LiveNation is positioning itself as the ‘GE’ of music. 

Live Nation could have its hand in just about every aspect of music (rather entertainment).  Investing in Live Nation could be like investing in a mutual fund for entertainment.  Distribution, concert tix sales, merchandising, promotions, the whole nine. 

 Logical Next Step

What would be interesting is to see Live Nation partnering/acquiring a company in the web 2.0 space, like a distributive media company (e.g., widgets), a virtual world like Doppelganger’s vSide or the next FaceBook kind of social media company. 

It would make sense when looking at the mega trends of more people spending time online, TONS of dollars going in online advertising, online services, etc.

Live Nation appears to be building such a model.  It acquired Music Today, a one stop shop for merchadising, fan club building and more for artists.  Live Nation has been partnering with several companies to develop its online presence, like Last.FM.  Full acquisition might be the next step.

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Further, it is marking its territory to become the better record label model.  It already wooed Madonna from Warner.  Now, Jay-Z is leaving Def Jam.  This is particularly interesting since Live Nation has historically focused on rock and country.  

I asked a couple of record labels about possible acquisitions as a revenue strategy, but maybe it could be basic business strategy to ward off companies like Live Nation.  Most said they really hadn’t thought it through.  But a few are realizing the game is changing and it’s not really about entertainment, but a basic business policy that creates allies everywhere to further the mission of the company.  I’ll write more on this later. 

Fascinating!!!

I was on a digital media panel at the Urban Network Summit last week.  Various subjects were broached but I kinda got fed up of MySpace being tossed around as the be all/end all social media platform for artists. 

First shot came from me: ”MySpace is dieing.  People are looking for a more intimate interaction.  People are on MySpace because they have to be.  MySpace is spammy and you can boost up your numbers with bots.  Facebook is where things are headed.”

You should have heard the ruckus!  Heads immediately shot in my direction.  One fellow panelist took it personally.  The room, almost at capacity, even got anxious as a result.

Return fire (from the fellow panelist): You’re kidding!  MySpace has millions of visitors.  In fact, how many people use MySpace? (about 70% of audience)  How many people use FaceBook? (about 30%).  See.  How can you say MySpace is dieing???

Blast back (from me): I’m not saying don’t use MySpace.  Should be on all platforms.  But still, look at the growth rates.   FaceBook is growing at lot faster pace than MySpace.  FaceBook is where MySpace was 1-2 years ago, in terms of growth rates.  But people aren’t going back 1-2 times a day on MySpace as they are for FaceBook.  MySpace is played, from a fan perspective. 

I felt good since some people came up to me afterwards and got what I was saying.  But I think the “use all social media platforms” idea was lost.

 For Fans

People aren’t going to MySpace as much to socialize.  Too much spam.  That’s why they’re going to FaceBook.  I have friends from 23-34 in age who log onto MySpace MAYBE once every 2-3 months.  They say they’re tired of MySpace.  FaceBook, because of the closed model, can only allow friends to chat and post on their page.  It’s more meaningful.  What MySpace was.

It’s about quality of friend interaction, not quantity.

But I have to admit, FaceBook was NOT intuitive when I first signed on.  The only reason why I spent time learing it was because I thought I had to.  I have yet to work my MySpace page though. 

 For Artists

Being all social networks is one of the best, low-cost ways of getting noticed…after all, that’s the main thing for young artists.  Now that FaceBook has plans for launching music and video players for artists, FaceBook becomes a lot more appealing.  Having a lot of people sharing your video/audio on FaceBook probably means more than on MySpace – fans here are more likely to be REAL fans. 

 For Record Labels

Labels want to know who’s hot.  The problem with MySpace is that you can’t really rely on MySpace for friend counts, title plays or views.  You have to gauge.  The problem with FaceBook is that it’s a closed model, so you can’t get exposed to new content as easily.  Although, the people playing the content will probably be real people.. 

An interesting play would be a technology that could aggregate all plays, views, votes from all social networks.  Imagine a dash board where you can see anyone’s total plays on FaceBook, MySpace, Veoh, FunnyorDie, or any other site that lists, most watch, most popular, newest. 

That would be hot and usable by everyone. 

But let me offer a few pros/cons.